A short film about electronica for audiophiles
Further information: Electronica for audiophiles Camera: Olaf von Voss | Editor: John Darko | Motion Graphics: John Darko | Ad Segment: Jana Dagdagan
by
John
Further information: Electronica for audiophiles Camera: Olaf von Voss | Editor: John Darko | Motion Graphics: John Darko | Ad Segment: Jana Dagdagan
by
John
French streaming service Qobuz will soon launch in the USA. On sound quality, their standard tier is similar to Apple Music or Spotify: lossy compressed that’s called lossy for a reason. Of greater interest/import to those who care for greater audio nourishment is Qobuz’s Hifi tiers that offers CD-quality streaming – […]
by
John
Electronic music doesn’t enjoy a great deal of playtime in audiophile circles. Why? Maybe it’s snobbery? Maybe it’s a lack of exposure. Maybe it’s preconceptions of mindlessness? That so-called mindlessness is a feature, not a bug. Fresh converts might be made if only the properly curious were pointed in the direction […]
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John
Over a pork knuckle in January, I enthused to a friend about DJ Hell’s collaborative work with P. Diddy (“The DJ”) and Bryan Ferry (“U Can Dance”) – two standout tracks from the veteran German producer’s 2009 album, Teufelswerk. English translation: Devil’s work. Eight years on, the remainder of that […]
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John
The reasons to dig Bandcamp are numerous – here are five for starters: 1. Bandcamp is a platform that enables artists to sell their music to fans directly. The company takes 15% on digital sales (which drops to 10% once total artist revenue hits US$5000) and 10% on merchandise. That’s a long […]
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John
Pop quiz. What connects the Red Hot Chilli Peppers to Scotland’s ‘80s indie popsters Orange Juice to German techno outfit Hardfloor? A clue lies with today’s date, March 3rd. 3.03. A reminder of the Roland Corporation’s TB-303. Released in 1982, the ‘303’ was a hardback-book-sized box aimed at musicians unable to afford or find […]
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John
I have a sneaking suspicion that lossless audio downloads are slowly but surely becoming less expensive. Around $10-15 per album now seems to be the norm with the likes of Boomkat and Bleep now on par with the artist-direct content sold via Bandcamp. Got a great two-channel system or killer […]
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John
The trouble with websites peddling free electronic music is you have to wade through a lot of chaff to get to the wheat. I have an aversion to anything that brushes up against new-age (you can keep your crystals and dolphins) and 145 bpm psy-trance (oonce-oonce-oonce) dumbness. Best to stick […]
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John
I don’t think that Diana Krall or Melody Gardot are necessarily bad. Not strictly my cuppa tea, they sound pleasant enough. Perhaps all that Pleasantville is a turn-off in itself? All that candy-sweet-talking rots teeth. No, the problem with such artists is that they hold an almost irreversible sway in […]
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John
Electronica for audiophiles. Electronica that’s been immaculately pieced together and mastered to perfection. There’s not as much of it knocking about as you might think. Anyone can rattle off artist after classic artist from the last thirty or so years, but too much choice isn’t helpful to the newcomer – it’s […]
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John
Nigel writes… Hi John. Cheers from Sydney Australia. I know this is a triggering subject among some audiophiles, so am cautious raising it. Nonetheless, I’m curious as to whether you would ever do a Youtube video on making your own speaker cables. The reason I ask is that I have […]
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John
Tony writes… I have an Innomaker i2s DAC/HAT on a Pi4 running piCorePlayer 7.0 + LMS that sounds very nice feeding AudioEngine A5s. I just put another onto a Pi3b+, again running piCorePlayer 7.0, to test as a player/client. The Pi3b+ has dual-band WiFi, providing plenty of streaming bandwidth, and […]
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