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The sounds of Munich High-End 2017 (Part 1)

  • David Bowie’s Low, Bruce Springsteen’s Darkness On The Edge of Town, Miles Davis’ Tutu, Björk’s Homogenic, Radiohead’s In Rainbows, The Beatles’ Abbey Road, U2’s War, Nirvana’s Nevermind, Johnny Cash’s American II, The Velvet Underground & Nico, Michael Jackson’s Thriller, Public Enemy’s It Takes a Nation of Millions, Massive Attack’s Mezzanine

    These titles (and more) formed the backbone of Burmester’s window display at Munich High-End 2017 — a litany of stone cold classics by many a music fan’s standards, proudly displayed behind glass and velvet rope. Sounds promising, right? Alas, it’s not uncommon for high-end audio manufacturers to trade in classic albums as visual pointers without ever needing give them a spin to show off their wares.

    At this year’s Munich event we note another large dose of the familiar: immaculate sounding pieces that draw heavily on opera, classical, white dude blues plus the occasional new age piece. In only one room visited by this commentator on the first day of the Munich High-End 2017 did I hear music that might be familiar to your average contemporary music fans i.e. DAR readers. As we know, DAR readers steer well clear of audiophile standards when demo-ing audio gear.

    Take my word for it or take a few minutes to watch this video:

    Written by John

    John currently lives in Berlin where he creates videos and podcasts for Darko.Audio. He has previously contributed to 6moons, TONEAudio, AudioStream and Stereophile.

    Darko.Audio is a member of EISA.

    Follow John on YouTube or Instagram

    Munich High-End 2017 starts today

    Tidal, Spotify Connect coming to KEF LS50 Wireless