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A splash of colour from Micromega’s M-One super-integrated

  • Micromega’s M-One is a loudspeaker amplifier loaded with digital streamer, DAC and phono stage. In other words, a super-integrated.

    Check out the back panel. The range of inputs/outputs is staggering: [inhales] MM/MC phono, balanced and unbalanced analogue, coaxial, Toslink, AES/EBU, USB and, to get digital audio geeks salivating, a pair of I2S. At the other end of the streaming quality spectrum, aptX Bluetooth and Airplay are also on offer [exhales].

    Immediately adjacent to the M-One’s loudspeaker binding posts sit an RCA socket for subwoofer connectivity and balanced XLR pre-amplifier outputs.

    The M-One comes in two versions: the M100 and the M150. The numbers denote watts per channel into an 8 Ohm load. Amplifier topology under the hood is Class A/B.


    American show exhibitors take note: Micromega weren’t the only manufacturer to sprinkle their Munich High-End display zone with fresh flowers. A splash of colour goes a long way, don’t you think?

    Not that this French manufacturer needed it. The M-One doesn’t only come in black or silver. You can have any colour you like – for a price – including precise matches to the Sopra No. 2 loudspeakers made by fellow Frenchmen Focal. Dream as big as the RAL swatch allows.

    Product designer Daniel Char and his team refer to this individual tailoring as M.C.F. – Micromega Custom Finish. As he outlines in the video below, each M-One is fashioned from a solid block of aluminium but material options can be extended to encompass wood, carbon fibre, leather…even gold.

    It isn’t only on colour and connectivity options that this super-integrated sets itself apart.

    Say bonjour to Micromega’s second acronym: M.A.R.S. – optional room correction in the frequency and time domain. And then there’s price: when the two models finally head into full production in a few weeks, the standard M100 will retail for €3750 and the M150 for ~€5000.

    The Micromega unit/s, like Devialet’s Expert 120 and 200 before them, offer an all-in-one solution that minimises box count, does away with interconnects and breaks clean from the aesthetic conservatism of the past.

    I can easily picture an M-One in red at DAR HQ, sitting between a red turntable from another Munich High-End florist Pro-Ject and the Spatial Hologram M4 open baffles.

    Further information: Micromega




    DAR 750 x 290

    Written by John Darko

    John currently lives in Berlin where he creates videos and podcasts and pens written pieces for Darko.Audio. He has previously contributed to 6moons, TONEAudio, AudioStream and Stereophile.

    Darko.Audio is a member of EISA.

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